Mary Magdalene

Mary Magdalene is one of the best-known characters in the New Testament, yet we know surprisingly little about her. In all but one of the twelve times that she is mentioned in the four Gospels, she is either named alone or first in a list of women. The sole exception is in John’s account of the women who stood by the cross in which the mother of Jesus is listed first (John 19:25). Nevertheless, in the Gospel of John, Mary Magdalene is the premier witness of the Resurrection and the only one commissioned to tell others the stunning truth. The primacy of her name in these accounts, the frequency of her mention, and her role on the morning of the Resurrection suggest that she was a prominent and respected disciple in the first century. From the earliest interpretations of her, however, she has been assigned polar opposite roles: at one extreme, a repentant sinner who quietly served; at the other, the apostle to the apostles.

On the western shore of the Sea of Galilee was the city of Magdala, an important fishing settlement and the hometown of Mary Magdalene. In Hebrew, the word Magdala means “tower,” and indeed, Mary Magdalene became a tower of strength, both to her fellow disciples and to us today as well.

Years ago I brought a friend with me to a Relief Society activity at church, and when she asked me why we had a painting of Mary and Martha hanging in the room, I really didn’t know how to answer. Of all the possible depictions of scripture stories of women that the Church might choose from, why that one? Although the scene was painted by old masters like Vermeer and Velazquez, it has never been especially popular among other Christian groups. Yet, it is a subject painted by many artists in the Church and these images are common in meetinghouses and lesson manuals.